WRITING QUOTES XXXII

quotations about writing

Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.

HENRY WADSWORTH LONGFELLOW

Table-Talk

Tags: Henry Wadsworth Longfellow


You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.

HARPER LEE

interview with Roy Newquist, Counterpoints, 1964

Tags: Harper Lee


Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.

DORIS LESSING

The Golden Notebook

Tags: Doris Lessing


You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.

DORIS LESSING

The New York Times, April 22, 1984


I truly believe that writing is a continuum--so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better.

CHRIS ABANI

interview, UTNE Reader, June 2010

Tags: Chris Abani


Writing is always a rough translation from wordlessness into words.

CHARLES SIMIC

attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between


Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.

ALAN HOLLINGHURST

The Paris Review, winter 2011

Tags: Alan Hollinghurst


What I do as a writer, I work with situations, characters, certain situations and characters that appeal to me. And then, I try to imagine them and write the story that seems to flow from them. At a certain point, I can realize the themes are merging from this. But I never start from a thematic point of view, that I'm going to write about reinvention of self, identity, or any of these things. Usually, after the book is finished and I start talking about it, that it becomes analytical in that way. And in some ways it's a distortion of what the process has been, writing the book.

JEFFREY EUGENIDES

interview, 3 AM Magazine


Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

Tags: Edward Albee


The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

Tags: Charles Bukowski


At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it--it will haunt you till it's written.

TRUMAN CAPOTE

The Paris Review, spring-summer 1957

Tags: Truman Capote


I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.

MAYA ANGELOU

The Paris Review, fall 1990


I spend a lot of time loathing the sentences that I put down on the page. Once I'm past that phase, it doesn't really matter what the routine is (coffee shop, someone else's house, my dining room table), I'm pretty fast. I go back to the start of whatever I'm working on, every half hour or so, and revise my way back to where I left off. I have my headphones on, I'm checking email, I look at Twitter and Tumblr, and drink a lot of coffee. I need a lot of distraction to work.

KELLY LINK

interview, Electric Lit, February 6, 2015

Tags: Kelly Link


My method is to take the utmost trouble to find the right thing to say, and then to say it with the utmost levity.

GEORGE BERNARD SHAW

Answers to Nine Questions

Tags: George Bernard Shaw


A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

ERNEST HEMINGWAY

Death in the Afternoon


Few sensible authors are happy discussing the creative process -- it is, after all, black magic, and may lose its power if we look that particular gift horse too closely in the mouth.

EDWARD ALBEE

introduction, Three Tall Women

Tags: Edward Albee


You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.

CHUCK WENDIG

The Kick-Ass Writer

Tags: Chuck Wendig


You never know what you will learn till you start writing. Then you discover truths you never knew existed.

ANITA BROOKNER

attributed, Journal for You, 2003


In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.

ALI MADEEH HASHMI

"The art of writing", The News on Sunday, March 11, 2017


What people who don't write don't understand is that they think you make up the line consciously -- but you don't. It proceeds from your unconscious. So it's the same surprise to you when it emerges as it is to the audience when the comic says it. I don't think of the joke and then say it. I say it and then realize what I've said. And I laugh at it, because I'm hearing it for the first time myself.

WOODY ALLEN

Esquire, September 2013

Tags: Woody Allen