quotations about writing
Write books only if you are going to say in them the things you would never dare confide to anyone.
EMIL CIORAN
The Trouble with Being Born
I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.
DORIS LESSING
attributed, Shoptalk: Learning to Write with Writers
Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.
DORIS LESSING
The Golden Notebook
I truly believe that writing is a continuum--so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better.
CHRIS ABANI
interview, UTNE Reader, June 2010
The privilege of being a writer is that you have this opportunity to slow down and to consider things.
CHRIS ABANI
interview, UTNE Reader, June 2010
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
CHARLES DE LINT
"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction
Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.
CARMEN BOULLOSA
Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995
Human nature provides the lyrics, and we novelists just compose the music.
CARLOS RUIZ ZAFON
"An interview with Carlos Ruiz Zafon", Book Browse
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
CARLOS RUIZ ZAFON
"The Shadow Maker", The Telegraph, November 27, 2005
My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.
ANNE LAMOTT
interview, Big Think, April 6, 2010
A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.
WILLIAM SHENSTONE
Essays on Men and Manners
Some writers love to boast that they can write anywhere: in a cafe, in a park -- some can probably write underwater in a cage with sharks circling. But again it smacks of the cultivated self-image. JK Rowling writing in a café with a baby = potential mythology? Hemingway famously claimed that he could create anywhere, explaining, "the only good place to work is your head" -- but we all know what he did to his head in the end.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.
ROBERT REED
Lincoln Journal Star, January 11, 2004
As we understand it, the surest way to make a living by the pen is to raise pigs.
ROBERT ELLIOTT GONZALES
Poems and Paragraphs
To me the question is always this: if a ray of light came out of the sky and said, "Your next book will never be published -- would you still write it?" If the answer is yes, the book is worth writing.
MARKUS ZUSAK
"Why I Write", The Guardian, March 28, 2008
I'm never lonely when I'm writing, because you live with the characters that are so alive in your mind. And you really see them and know them and get to be friends with them.
JULIE ANDREWS
interview, American Libraries Magazine
What I do as a writer, I work with situations, characters, certain situations and characters that appeal to me. And then, I try to imagine them and write the story that seems to flow from them. At a certain point, I can realize the themes are merging from this. But I never start from a thematic point of view, that I'm going to write about reinvention of self, identity, or any of these things. Usually, after the book is finished and I start talking about it, that it becomes analytical in that way. And in some ways it's a distortion of what the process has been, writing the book.
JEFFREY EUGENIDES
interview, 3 AM Magazine
When I first started I was obsessed--putting in 16 hours a day, seven days a week, and loving it. My in-laws told my husband that perhaps he should get some help for me. Once the book was published it was OK because writers can be a little crazy.
JEAN M. AUEL
interview, goodreads, April 2011
Writing is an act of blind faith that out there, somewhere, someone will read and enjoy, understand.
JAMES V. SCHALL
"The Creative Catholic: Fr. James V. Schall S.J. on the art and vocation of writing", Catholic World Report, March 27, 2017
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001