quotations about writing
Writing sets off a spark in my heart, and I'm going to start a fire.
TIFFANY FERENTINI
"Millennial Writers on Writing", Huffington Post, February 16, 2016
As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing.
SPIKE LEE
"Fight the Power: Spike Lee on Do the Right Thing", Rolling Stone, June 20, 2014
Go to any lengths to avoid preachiness! If you have to choose between the message and the story, always choose the story.
ELIZABETH ZELVIN
interview, The Fix
I can't write five words but that I change seven.
DOROTHY PARKER
The Paris Review, summer 1956
I don't like to write from a flat, cold position. You must like what you're doing very much or like the people -- either like them or hate them. You can't be indifferent.
SAUL BELLOW
Q & A at Howard Community College, February 1986
I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.
ELIF BATUMAN
The Paris Review, winter 2012
I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.
FRAN LEBOWITZ
"In Conversation: Fran Lebowitz with Phong Bui", The Brooklyn Rail, March 4, 2014
I'm such a slow writer I have no need for anything as fast as a word processor. I don't need anything so snappy. I write so slowly that I could write in my own blood without hurting myself.
FRAN LEBOWITZ
The Paris Review, summer 1993
The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
EUDORA WELTY
On Writing
The reason why so few good books are written is, that so few people who can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.
WALTER BAGEHOT
Shakespeare: The Man
When I started out I just wanted to write books. I still do. It's the best job in the world for so many reasons. I wanted the thrill of seeing my books on the shelves in bookstores. I still do. The idea of someone reading my work, enjoying it was just amazing--and it still is. The bar rises, and that's a good thing. It pushes us to write smarter, write better, to dig deeper creatively. The bestseller lists, the awards, the sales or movies, they're all really delicious icing. But the work--the stories, the books--that's the cake. Too much icing without a really good, solid cake? It's going to make you fat, lazy and maybe a little bit sick. It's always about the cake first.
NORA ROBERTS
interview, inReads, October 5, 2011
First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
CHARLES DE LINT
"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction
I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.
SAM SHEPARD
The Paris Review
Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.
ANDRE GIDE
Pretexts: Reflections on Literature and Morality
Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure.
J. D. SALINGER
attributed, Salinger: A Biography
Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.
TANITH LEE
interview, Intergalactic Medicine Show
The right story needs the right telling.
JOHN GREEN
interview, Chicago Public Library