quotations about writing
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
DORIS LESSING
The New York Times, April 22, 1984
No reason at all why one should go on writing just for the sake of it. I think it is very important to stop when you haven't got anything to say.
JULIAN BARNES
The Paris Review, winter 2000
Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.
ANDRE GIDE
Pretexts: Reflections on Literature and Morality
Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure.
J. D. SALINGER
attributed, Salinger: A Biography
To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.
ALEXANDER POPE
An Essay on Criticism
Writing is a tough thing and you only get better with practice. Just like free throws.
NICK WESTFALL
"Man writes directorial debut movie 'Finding Home'", myfox8, March 30, 2017
As we understand it, the surest way to make a living by the pen is to raise pigs.
ROBERT ELLIOTT GONZALES
Poems and Paragraphs
Everybody has a hard job. All real work is hard. My work happened also to be undoable. Morning after morning for 50 years, I faced the next page defenseless and unprepared. Writing for me was a feat of self-preservation. If I did not do it, I would die. So I did it. Obstinacy, not talent, saved my life.
PHILIP ROTH
"My Life as a Writer", New York Times, March 2, 2014
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
CHARLES DE LINT
"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction
I don't think I'm cut out for a job where you have to look professionally tidy. I prefer working in my pajamas and taking showers after lunch.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
It's tremendously hard work. Yes, I love arranging the words and having them fall on the ear the right way and you know you're not quite there and you're redoing it and redoing it and there's a wonderful thrill to it. But it is hard.
ELIZABETH STROUT
Newsweek, July 13, 2009
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
EUDORA WELTY
On Writing
The true alchemists do not change lead into gold; they change the world into words.
WILLIAM H. GASS
A Temple of Texts
Writing can't be a way of life -- the important part of writing is living. You have to live in such a way that your writing emerges from it.
DORIS LESSING
Doris Lessing: Conversations
As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.
IAIN M. BANKS
"Iain Banks: The Final Interview", The Guardian, June 14, 2013
As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing.
SPIKE LEE
"Fight the Power: Spike Lee on Do the Right Thing", Rolling Stone, June 20, 2014
Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.
CARMEN BOULLOSA
Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995
In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.
VIRGINIA WOOLF
"Women and Fiction", Granite and Rainbow
Most writers -- poets in especial -- prefer having it understood that they compose by a species of fine frenzy -- an ecstatic intuition -- and would positively shudder at letting the public take a peep behind the scenes, at the elaborate and vacillating crudities of thought -- at the true purposes seized only at the last moment -- at the innumerable glimpses of idea that arrived not at the maturity of full view -- at the fully matured fancies discarded in despair as unmanageable -- at the cautious selections and rejections -- at the painful erasures and interpolations -- in a word, at the wheels and pinions -- the tackle for scene-shifting -- the step-ladders and demon-traps -- the cock's feathers, the red paint and the black patches, which, in ninety-nine cases out of the hundred, constitute the properties of the literary histrio.
EDGAR ALLAN POE
"The Philosophy of Composition"