WRITING QUOTES XXIX

quotations about writing

As the deadline looms, my quality of writing is in danger of declining all because I just had to check my email.

GERI SPIELER

"The Dangers of Distracted Writing", Huffington Post, February 28, 2016


A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.

SAUL BELLOW

Nobel lecture, December 12, 1976


I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.

FRAN LEBOWITZ

"In Conversation: Fran Lebowitz with Phong Bui", The Brooklyn Rail, March 4, 2014

Tags: Fran Lebowitz


Keep your head down, avoid all the distractions of being a writer today--all the shifts in the business, all the drama, all the debating about where publishing is going--and write the best story that you can. It sounds a bit glib, but I think this is advice a lot of people are having trouble following right now. It is so hard to focus. But that is the single key to success.

JEFF ABBOTT

The Big Thrill, June 30, 2013

Tags: Jeff Abbott


Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.

ANDRE GIDE

Pretexts: Reflections on Literature and Morality

Tags: André Gide


One writes out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.

JAMES BALDWIN

Notes of a Native Son

Tags: James Baldwin


The old, slow, creaking descriptions are a thing of the past; today the rule is brevity -- but every word must be supercharged, high-voltage.

YEVGENY ZAMYATIN

A Soviet Heretic

Tags: Yevgeny Zamyatin


The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.

WILLIAM GIBSON

Twitter post, May 31, 2009

Tags: William Gibson


I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.

SAM SHEPARD

The Paris Review

Tags: Sam Shepard


What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.

ROBERT STONE

The Paris Review, winter 1985

Tags: Robert Stone


No reason at all why one should go on writing just for the sake of it. I think it is very important to stop when you haven't got anything to say.

JULIAN BARNES

The Paris Review, winter 2000


My approach to revision hasn't changed much over the years. I know there are writers who do it as they go along, but my method of attack has always been to plunge in and go as fast as I can, keeping the edge of my narrative blade as sharp as possible by constant use, and trying to outrun the novelist's most insidious enemy, which is doubt.

STEPHEN KING

foreword, The Gunslinger

Tags: Stephen King


Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.

SIMON ARMITAGE

"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017


I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.

HUNTER S. THOMPSON

The Great Shark Hunt: Strange Tales from a Strange Time

Tags: Hunter S. Thompson


Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.

PHILIP ROTH

Paris Review, fall 1984


The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.

EUDORA WELTY

On Writing


Writing can't be a way of life -- the important part of writing is living. You have to live in such a way that your writing emerges from it.

DORIS LESSING

Doris Lessing: Conversations

Tags: Doris Lessing


Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.

VIRGINIA WOOLF

A Room of One's Own

Tags: Virginia Woolf


I don't like to write from a flat, cold position. You must like what you're doing very much or like the people -- either like them or hate them. You can't be indifferent.

SAUL BELLOW

Q & A at Howard Community College, February 1986


In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.

DORIS LESSING

The New York Times, April 22, 1984