HONORÉ DE BALZAC QUOTES

French novelist and playwright (1799-1850)

Balzac quote

Is there a man as heedless of love’s mysteries as not to have admired, over and over again, the light, mincing, even bewitching gait of a woman who flies on her way to keep an assignation? She glides through the crowd, like a snake through the grass. The costumes and stuffs of the latest fashion spread out their dazzling attractions in the shop windows without claiming her attention; on, on she goes like the faithful animal who follows the invisible tracks of his master; she is deaf to all compliments, blind to all glances, insensible even to the light touch of the crowd, which is inevitable amid the circulation of Parisian humanity. Oh, how deeply she feels the value of a minute! Her gait, her toilet, the expression of her face, involve her in a thousand indiscretions, but oh, what a ravishing picture she presents to the idler, and what an ominous page for the eye of a husband to read, is the face of this woman when she returns from the secret place of rendezvous in which her heart ever dwells! Her happiness is impressed even on the unmistakable disarray of her hair, the mass of whose wavy tresses has not received from the broken comb of the celibate that radiant lustre, that elegant and well-proportioned adjustment which only the practiced hand of her maid can give. And what charming ease appears in her gait! How is it possible to describe the emotion which adds such rich tints to her complexion!—which robs her eyes of all their assurance and gives to them an expression of mingled melancholy and delight, of shame which is yet blended with pride!

HONORÉ DE BALZAC

Physiology of Marriage

Tags: light


I see no room in this city for the gentle ways of love, for precious walks in shady alleys, the full moon sparkling on the water, while the suppliant pleads in vain. Rich, young, and beautiful, I have only to love, and love would become my sole occupation, my life; yet in the three months during which I have come and gone, eager and curious, nothing has appealed to me in the bright, covetous, keen eyes around me. No voice has thrilled me, no glance has made the world seem brighter.

HONORÉ DE BALZAC

Letters of Two Brides

Tags: love


The married couple who intend to love each other during their whole life have no notion of a honeymoon; for them it has no existence, or rather its existence is perennial; they are like the immortals who do not understand death.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: death


A woman then ought never to reproach her husband for the legal right, in virtue of which she belongs to him. She ought not to find in this compulsory submission any excuse for yielding to a lover, because some time after her marriage she has discovered in her own heart a traitor whose sophisms seduce her by asking twenty times an hour, "Wherefore, since she has been given against her will to a man whom she does not love, should she not give herself, of her own free-will, to a man whom she does love." A woman is not to be tolerated in her complaints concerning faults inseparable from human nature. She has, in advance, made trial of the tyranny which they exercise, and taken sides with the caprices which they exhibit.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: love


Love may be or it may not, but where it is, it ought to reveal itself in its immensity.

HONORÉ DE BALZAC

Letters of Two Brides


We talked together through that silence in the language of thought. Nothing is more rapturous than these mute conversations.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: language


Above this sphere the artist world exists. But here, too, the faces stamped with the seal of originality are worn, nobly indeed, but worn, fatigued, nervous. Harassed by a need of production, outrun by their costly fantasies, worn out by devouring genius, hungry for pleasure, the artists of Paris would all regain by excessive labor what they have lost by idleness, and vainly seek to reconcile the world and glory, money and art. To begin with, the artist is ceaselessly panting under his creditors; his necessities beget his debts, and his debts require of him his nights. After his labor, his pleasure. The comedian plays till midnight, studies in the morning, rehearses at noon; the sculptor is bent before his statue; the journalist is a marching thought, like the soldier when at war; the painter who is the fashion is crushed with work, the painter with no occupation, if he feels himself to be a man of genius, gnaws his entrails. Competition, rivalry, calumny assail talent. Some, in desperation, plunge into the abyss of vice, others die young and unknown because they have discounted their future too soon. Few of these figures, originally sublime, remain beautiful. On the other hand, the flagrant beauty of their heads is not understood. An artist’s face is always exorbitant, it is always above or below the conventional lines of what fools call the beau-ideal. What power is it that destroys them? Passion. Every passion in Paris resolves into two terms: gold and pleasure. Now, do you not breathe again? Do you not feel air and space purified? Here is neither labor nor suffering. The soaring arch of gold has reached the summit. From the lowest gutters, where its stream commences, from the little shops where it is stopped by puny coffer-dams, from the heart of the counting-houses and great workshops, where its volume is that of ingots—gold, in the shape of dowries and inheritances, guided by the hands of young girls or the bony fingers of age, courses towards the aristocracy, where it will become a blazing, expansive stream. But, before leaving the four territories upon which the utmost wealth of Paris is based, it is fitting, having cited the moral causes, to deduce those which are physical, and to call attention to a pestilence, latent, as it were, which incessantly acts upon the faces of the porter, the artisan, the small shopkeeper; to point out a deleterious influence the corruption of which equals that of the Parisian administrators who allow it so complacently to exist!

HONORÉ DE BALZAC

The Girl with the Golden Eyes

Tags: labor


Is there, then, a law for the inner fruits of the heart, as there is for the visible fruits of nature? Can joy be made lasting? In what proportion should love mingle tears with pleasures? The cold policy of the funereal, monotonous, persistent routine of the convent seemed to me at these moments the only real life; while the wealth, the splendor, the tears, the delights, the triumph, the joy, the satisfaction, of a love equal, shared, and sanctioned, appeared a mere idle vision.

HONORÉ DE BALZAC

Letters of Two Brides

Tags: joy


Pleasure being caused by the union of sensation and sentiment, we can say without fear of contradiction that pleasures are a sort of material ideas.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: fear


As a general thing, all women league themselves against a married man who is accused of tyranny; for a secret tie unites them all, as it unites all priests of the same religion.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: religion


Before the Revolution, several aristocratic families used to send their daughters to the convent. This example was followed by a number of people who imagined that in sending their daughters to a school where the daughters of some great noblemen were sent, they would assume the tone and manners of aristocrats. This delusion of pride was, from the first, fatal to domestic happiness; for the convents had all the disadvantages of other boarding schools. The idleness that prevailed there was more terrible. The cloister bars inflame the imagination. Solitude is a condition very favorable to the devil; and one can scarcely imagine what ravages the most ordinary phenomena of life are able to leave in the soul of these young girls, dreamy, ignorant and unoccupied.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: example


Increase the number of honest women and diminish the number of celibates, as much as you choose, you will always find that the result will be a larger number of gallant adventurers than of honest women.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: women


Who is she? Did you know her young? What of her birth? Had she father and mother, or was she born of the conjunction of ice and sun? She burns and yet she freeze; she shows herself and then withdraws; she attracts me and repulses me; she brings me life, she gives me death; I love her and yet I hate her! I cannot live thus; let me be wholly in heaven or in hell!

HONORÉ DE BALZAC

Seraphita

Tags: birth


No man would have torn himself from the comfort of a morning nap to listen to a minstrel in a jacket; none but a maid awakes to songs of love.

HONORÉ DE BALZAC

Pierrette

Tags: love


A lover speaks of nothing to a woman but that which exalts her; while a husband, although he may be a loving one, can never refrain from giving advice which always has the appearance of reprimand.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: advice


The problem of eternal beatitude is one of those whose solution is known only to God. Here, below, the sublimest poets have simply harassed their readers when attempting to picture paradise.

HONORÉ DE BALZAC

A Daughter of Eve

Tags: God


A young girl brought up at home by her mother or by her virtuous, bigoted, amiable or cross-grained old aunt; a young girl, whose steps have never crossed the home threshold without being surrounded by chaperons, whose laborious childhood has been wearied by tasks, albeit they were profitless, to whom in short everything is a mystery, even the Seraphin puppet show, is one of those treasures which are met with, here and there in the world, like woodland flowers surrounded by brambles so thick that mortal eye cannot discern them. The man who owns a flower so sweet and pure as this, and leaves it to be cultivated by others, deserves his unhappiness a thousand times over. He is either a monster or a fool.

HONORÉ DE BALZAC

Physiology of Marriage

Tags: home


Every day, or nearly every day, he was obliged to be on horseback in the Bois, between two and three o’clock, in the careful dress of a gentleman of leisure. He had to learn at what house or theatre he could meet Madame de Vandenesse in the evening. He was not able to leave the party or the play until long after midnight, having obtained nothing better than a few tender sentences, long awaited, said in a doorway, or hastily as he put her into her carriage. It frequently happened that Marie, who by this time had launched him into the great world, procured for him invitations to dinner in certain houses where she went herself. All this seemed the simplest life in the world to her. Raoul moved by pride and led on by his passion never told her of his labors. He obeyed the will of this innocent sovereign, followed in her train, followed, also, the parliamentary debates, edited and wrote for his newspaper, and put upon the stage two plays, the money for which was absolutely indispensable to him. It sufficed for Madame de Vandenesse to make a little face of displeasure when he tried to excuse himself from attending a ball, a concert, or from driving in the Bois, to compel him to sacrifice his most pressing interests to her good pleasure. When he left society between one and two in the morning he went straight to work until eight or nine. He was scarcely asleep before he was obliged to be up and concocting the opinions of his journal with the men of political influence on whom he depended,—not to speak of the thousand and one other details of the paper. Journalism is connected with everything in these days; with industrial concerns, with public and private interests, with all new enterprises, and all the schemes of literature, its self-loves, and its products.

HONORÉ DE BALZAC

A Daughter of Eve

Tags: influence


Women like to perform prodigies, break rocks, and soften natures which seem of iron.

HONORÉ DE BALZAC

A Daughter of Eve


The man as he converses is the lover; silent, he is the husband.

HONORÉ DE BALZAC

Letters of Two Brides