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WRITING QUOTES III

Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.

HENRY WADSWORTH LONGFELLOW, Table-Talk

All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.

TRUMAN CAPOTE, Truman Capote: Conversations

I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.

J. D. SALINGER, "Seymour: An Introduction"

If there is an occupational hazard to writing, it's drinking.

CORMAC MCCARTHY, New York Times, Apr. 19, 1992

I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.

ANAIS NIN, diary, Feb. 1954

Writing is a profession you can practice while upside down and experiencing total blackout in a cave. You just use the mental recorder instead of pen and paper ... or portable ... and hope you find a use for the experience.

C. J. CHERRYH, SFF World interview, Jan. 1, 2000

You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off.

ORSON SCOTT CARD, How to Write Science Fiction and Fantasy

It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony — the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.

YEVGENY ZAMYATIN, The Goal

The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

ANAIS NIN, attributed, French Writers of the Past

Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

URSULA K. LE GUIN, introduction, The Left Hand of Darkness

In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.

ORSON SCOTT CARD, How to Write Science Fiction and Fantasy

I'm not interested in writing short stories. Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing.

CORMAC MCCARTHY, The Washington Post, Nov. 13, 2009

The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

ANAIS NIN, The Diary of Anais Nin

I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don't feel that way about it. Sometimes it's difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think ... that's your signpost and your guide. You'll never get there, but without it you won't get anywhere.

CORMAC MCCARTHY, Oprah Winfrey interview, Jun. 1, 2008

An author in his book must be like God in the universe, present everywhere and visible nowhere.

GUSTAVE FLAUBERT, letter to Madame Louise Colet, Dec. 9, 1852

I want to write because I have the urge to excel in one medium of translation and expression of life. I can't be satisfied with the colossal job of merely living. Oh, no, I must order life in sonnets and sestinas and provide a verbal reflector for my 60-watt lighted head.

SYLVIA PLATH, The Journals of Sylvia Plath

I think without writing I would feel completely useless.

SAM SHEPARD, The Observer, Mar. 20, 2010

I just go to that same daydream-spot inside my head that I'm pretty sure all of us have. I don't know if people who don'twrite for a living actually meet strangers there, but I do, on a regular basis, and I absolutely insist they arrive with a good problem and tell me about it. There are particularly good spots for productive encounters: there's a beach I imagine and if I sit long enough and stare down the length of it, I'm sure someone will come walking down it, and most of them are interesting when they arrive. Sometimes I don't write all I meet, but most of the ones I meet do have interesting backgrounds. And sometimes I find I'm not on that beach at all, but in some space station corridor or in some castle hallway. Once these strangers tell me a little about their worlds I can make up the rest, out of smidges of geology, geography, history, archaeology, and snippets of whole cloth, and once I know their history and their quirks, I can most often figure out the rest of the story. Translation: thinking up new ideas and characters isn't hard. Writing day and night for months ... that's hard.

C. J. CHERRYH, SFF World interview, Jan. 1, 2000

The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described. It's a thing of discovering. That's when writing is really working. You're on the trail of something and you don't quite know what it is.

SAM SHEPARD, The Observer, Mar. 20, 2010

Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure.

J. D. SALINGER, attributed, Salinger: A Biography

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