WRITING QUOTES VIII

quotations about writing

Every writer in the country can write a beautiful sentence, or a hundred. What I am interested in is the ugly sentence that is also somehow beautiful.

DONALD BARTHELME

"On Paraguay"

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The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history.

JOHN DOS PASSOS

"The Business of a Novelist"


When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

ERNEST HEMINGWAY

The Paris Review, spring 1958


Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.

KURT VONNEGUT

attributed, Quit Your Day Job!

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I'm not interested in writing short stories. Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing.

CORMAC MCCARTHY

The Washington Post, November 13, 2009


You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

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Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion.

DAN SIMMONS

Hyperion

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WHEN YOU LEAVE YOUR TYPEWRITER YOU LEAVE YOUR MACHINE GUN AND THE RATS COME POURING THROUGH.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

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All stories must end so, with the next tale winking out of the corners of the last pages, promising more, promising moonlight and dancing and revels, if only you will come back when spring comes again.

CATHERYNNE M. VALENTE

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making


To me, writing is not a profession. You might as well call living a profession. Or having children. Anything you can't help doing.

VICKI BAUM

I Know What I'm Worth

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I've come to believe that a huge part of getting better at writing is forcing yourself to see the things that have been in the corner of your eye all along. That means writing stories that include characters from other cultures and backgrounds--but also, being more open to other viewpoints in general. It also means interrogating all of your other lazy ideas and drilling into all of the "of courses" that you let yourself get away with.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

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I want to be a writer you can always depend on for a good read during your vacation, during your flight, during a time in your life when you want to forget the world around you. The nicest notes I've received from readers are those that tell me I've gotten them back into reading for entertainment. For me, there is no greater compliment.

JEFF ABBOTT

Publisher's Weekly, May 30, 2011


Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

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When I'm writing I find it's the only time that I feel completely self-possessed, even when the writing itself is not going too well. It's fine therapy for people who are perpetually scared of nameless threats as I am most of the time.

WILLIAM STYRON

The Paris Review, spring 1954


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

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There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.

JOHN DOS PASSOS

New York Times, November 23, 1941


When the first-rate author wants an exquisite heroine or a lovely morning, he finds that all the superlatives have been worn shoddy by his inferiors. It should be a rule that bad writers must start with plain heroines and ordinary mornings, and, if they are able, work up to something better.

F. SCOTT FITZGERALD

Notebooks


Many writers are there that paint a stolen jade and sell it for a colt at the nearest fair.

AUSTIN O'MALLEY

Keystones of Thought

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