English poet (1835-1913)
No one can rightly call his garden his own unless he himself made it.
ALFRED AUSTIN
The Garden that I Love
Politics do not necessarily mean party politics, though in this country, at this moment, the one runs dangerously near to implying the other.
ALFRED AUSTIN
The Bridling of Pegasus
It is for the best and highest interests of literature that those who love it before all other things, and cherish it beyond all other considerations, should nevertheless take a large and liberal view of what constitutes life.
ALFRED AUSTIN
The Bridling of Pegasus
But I may say in passing that poetry and the readers of poetry have suffered somewhat during the present generation from novels and novel-readers. A newer and narrower standard of human interest has been set up; and while the great bulk of readers have turned from poetry to prose romances, writers of verse have too frequently tried to compete with novelists, by treating love as the central interest and the main business of life. Homer did not think it such, neither did Virgil, nor Dante, nor Chaucer, nor Spenser, nor Shakespeare, nor Milton, and let us not think so.
ALFRED AUSTIN
The Bridling of Pegasus
Byron is not Shakespeare; for he lags considerably behind Shakespeare in Invention, Action, and Character, by dint of which, and in conjunction with which, the highest faculties of the poet are displayed. But a poet may lag considerably behind Shakespeare, and yet exhibit these in a conspicuous degree.
ALFRED AUSTIN
The Bridling of Pegasus
It will scarcely be doubted, therefore, that there does exist a real and a very grave danger lest Poetry should, in these perplexing and despondent days, not only be closely associated with Pessimism, but should become for the most part its voice and echo.
ALFRED AUSTIN
The Bridling of Pegasus
There have been seasons in the history of the human race, melancholy seasons for the human mind, the "evil days" spoken of by Milton, when men of letters could not, with any self-respect, mix in politics. How much more highly we should think of Seneca if that literary Stoic had not been a minister of Nero.
ALFRED AUSTIN
The Bridling of Pegasus
But if poetry is now comparatively little read, no one can deny that it is much written about.
ALFRED AUSTIN
The Bridling of Pegasus
If this be poetry, then poetry is very easily written, and what has hitherto been supposed to be the highest, the most difficult, and the rarest, of the arts, presents no more difficulty to the person who knows how to write at all than the simplest, baldest, and most unartistic prose.
ALFRED AUSTIN
The Bridling of Pegasus
But is it to be desired, even should it appear to be possible, to restrict literature and politics each to its own particular sphere, and forbid either to trespass upon the territory of the other? Would they be gainers by this absolute severance? I am disposed to think that both would be losers; and the loss, I fancy, would fall more heavily upon literature even than upon politics.
ALFRED AUSTIN
The Bridling of Pegasus
A poet’s ideals of what women should be, and often are, is shown not only by what he extols, but by what he condemns.
ALFRED AUSTIN
The Bridling of Pegasus
But no subject is equal to its own support, where the poet is concerned, however it may be with the preacher and the moralist. The poet himself must support it.
ALFRED AUSTIN
The Bridling of Pegasus
I should like to say, incidentally, and I hope I may do so without giving offence, that I have sometimes thought that, in an age much given to theorizing and to considering itself more "scientific" than perhaps it really is, the diminution of practical wisdom, somewhat conspicuous of late in politics and legislation, is due in no small measure to the neglect of the higher poetry, in favor, where concern for poetry survives at all, of brief snatches of lyrical emotion. Hence legislation by emotion and haste.
ALFRED AUSTIN
The Bridling of Pegasus
But the decisions which men have to make in this world are not, as a rule, presented to them with the definiteness that gives artistic charm, as well as moral meaning, to a well-known masterpiece in the Palazzo Borghese. Between Sacred and Profane Love, between the love of literature and the pursuit of politics, the line is not, in practice, drawn so hard and fast as in the beautiful apologue immortalized by Titian. Loves that are altogether sacred and in no degree profane, are not, I imagine, frequently offered to any one; and though loves wholly profane and in no measure sacred, are, perhaps, not so uncommon, they are not likely in that absolutely coarse form to exercise enduring attraction over the finer spirits. It is the curious and inextricable amalgam of the two that constitutes the embarrassment.
ALFRED AUSTIN
The Bridling of Pegasus
The Romans had a proverb that you cannot carve a Mercury out of every piece of wood, meaning thereby that by reason of Mercury not being a standing or reposing figure, but a figure flying through the air, and therefore with limbs and wings extended, the material out of which he is made has to be both considerable in size and excellent in quality. What is true of Mercury is truer still of Apollo. You cannot make poetry out of every subject; and your only chance of making poetry out of any subject is to do so by treating the subject either nobly, or with charm.
ALFRED AUSTIN
The Bridling of Pegasus
There is no passion of the human heart, no speculation of the human mind, to which Shakespeare has not, in some passage or another, given expressive utterance.
ALFRED AUSTIN
The Bridling of Pegasus
For the great treatment of great themes in Epic, and yet more in Dramatic, Poetry, think of what is required! Not mere fancy, not mere emotion, but a wide and lofty imagination, a full and flexible style, a copious and ready vocabulary, an ear for verbal melody and all its cadences, profound knowledge of men, women, and things in general, a congenital and cultivated sense of form—the foundation of beauty and majesty alike, in all art; an experience of all the passions, yet the attainment to a certain majestic freedom from servitude to these; the descriptive, lyrical, and reflective capacity; abundance and variety of illustration; a strong apprehension and grasp of the Real, with the impulse and power to transfigure it into the Ideal, so that the Ideal shall seem to the reader to be the Real; in a word, "blood and judgment," as Shakespeare says, "so commingled." These are the qualifications of the writers that have stirred, and still stir, in its worthier portion, the admiration, reverence, and gratitude of mankind.
ALFRED AUSTIN
The Bridling of Pegasus
Now the highest literature—and Poetry is confessedly the highest literature—is a transfiguring reflex of life; and in its magic mirror we perforce see reflected all the thoughts, feelings, interests, passions, and events of human existence.
ALFRED AUSTIN
The Bridling of Pegasus
There are despotisms that are corrupt, or what is equally bad, vulgar and servile, without being brilliant; and I am not alone in entertaining the fear lest unadulterated Democracy—that is to say, the passions, interests, and power of a homogeneous majority, acting without any regard to the passions and interests that exist outside of it, and purged of all respect for intellect that does not provide it with specious reasons and feed it with constant adulation—should inflict upon us a despotism under which, again, there will be no room in the domain of politics for men of letters who respect themselves.
ALFRED AUSTIN
The Bridling of Pegasus
No doubt Plato’s notion that poets should chant nothing but hymns to the Gods and praises of virtue is a little narrow and exacting, but if they are to sing songs worthy of themselves, and of mankind, they must be on the side of virtue and of the Gods.
ALFRED AUSTIN
The Bridling of Pegasus