WRITING QUOTES VIII

quotations about writing

There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.

JOHN DOS PASSOS

New York Times, November 23, 1941


The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see. The writer as conductor also gets to compose the music and play all of the instruments, a task less formidable than it seems. What it requires is the conscious practice of providing an extraordinary experience for the reader, who should be oblivious to the fact that he is seeing words on paper.

SOL STEIN

Stein on Writing


It's easy, after all, not to be a writer. Most people aren't writers, and very little harm comes to them.

JULIAN BARNES

Flaubert's Parrot

Tags: Julian Barnes


But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action.

ARISTOTLE

Poetics

Tags: Aristotle


You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

Tags: Peter Abrahams


You are that most ambiguous of citizens, the writer.

SAMUEL R. DELANY

The Motion of Light in Water

Tags: Samuel R. Delany


WHEN YOU LEAVE YOUR TYPEWRITER YOU LEAVE YOUR MACHINE GUN AND THE RATS COME POURING THROUGH.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

Tags: Charles Bukowski


When I'm writing I find it's the only time that I feel completely self-possessed, even when the writing itself is not going too well. It's fine therapy for people who are perpetually scared of nameless threats as I am most of the time.

WILLIAM STYRON

The Paris Review, spring 1954


Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968

Tags: Conrad Aiken


Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -- you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.

ROGER ZELAZNY

introduction, "Passion Play"

Tags: Roger Zelazny


Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.

JOAN DIDION

The Paris Review, spring 2006


No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

Tags: Gail Carson Levine


I'm not interested in writing for adults. I like them as people! I don't like the way they publish books in that world. Nothing ever gets a chance.

JOHN GREEN

Huffington Post, October 12, 2012


Every writer in the country can write a beautiful sentence, or a hundred. What I am interested in is the ugly sentence that is also somehow beautiful.

DONALD BARTHELME

"On Paraguay"

Tags: Donald Barthelme


A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.

CARLOS RUIZ ZAFON

The Shadow of the Wind

Tags: Carlos Ruiz Zafon


Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.

CYRIL CONNOLLY

Enemies of Promise


Writing is a form of therapy; sometimes I wonder how all those who do not write, compose, or paint can manage to escape the madness, melancholia, the panic and fear which is inherent in a human situation.

GRAHAM GREENE

Ways of Escape


Write books only if you are going to say in them the things you would never dare confide to anyone.

EMIL CIORAN

The Trouble with Being Born

Tags: Emil Cioran


With pen and with pencil we're learning to say
Nothing, more cleverly every day.

WILLIAM ALLINGHAM

"Blackberries"

Tags: William Allingham


When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

ERNEST HEMINGWAY

The Paris Review, spring 1958