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Our talent for unconscious entrainment lies at the core of dance, a confluence of movement, rhythm and gestural representation. By far the most synchronized group practice, dance demands a type of interpersonal coordination in space and time that is almost nonexistent in other social contexts.
STEVEN BROWN, Scientific American, Jul. 2008
Dance ... is life, or becomes it, in a way that other arts cannot attain. It is not in stone, or words or tones, but in our muscles. It is a formulation of their movements.
BAKER BROWNELL, Art Is Action
The dance is four-dimensional art in that it moves concretely in both space and time. For the onlooker, it is an art largely of visual space combined with time. But for the dancer, and this is more important, the dance is more a muscular than a visual space rhythm, a muscular time, a muscular movement and balance. Dancing is not animated sculpture, it is kinesthetic.
BAKER BROWNELL, Art Is Action
Unlike music ... dance has a strong capacity for representation and imitation, which suggests that dance may have further served as an early form of language. Indeed, dance is the quintessential gesture language.
STEVEN BROWN, Scientific American, Jul. 2008
All dancing is now is standing in place and letting the devil of the music enter you.
JOHN UPDIKE, Rabbit is Rich
We view dance as a marriage of the representational capacity of language and the rhythmicity of music. This interaction allows people not only to tell stories using their bodies but to do so while synchronizing their movements with others' in a way that fosters social cohesion.
STEVEN BROWN, Scientific American, Jul. 2008
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